Visually speaking, a world filled with fast food monsters was also quite easy to imagine. Health issues like diabetes and cholesterol from obesity are among the top causes of death globally, and we could not just ignore it. Fast food restaurants are just part of the problem. The theme that we wanted to address with this new department is the danger of the food-processing industry, which is responsible for sugar addiction and "poisons" our meals with unnatural elements. By making things even more nauseating (colors, graphic details), we wanted to create a contradictory place where cravings become a vice and where the past meets with today's stakes.įast food seems an interesting choice for a game about navigating the Departments of Death. Fast Food has a '50s diner vibe, with its mascots, commercials, and a whole lot of symbols usually associated with quick-service restaurants. Whether they are design, gameplay concepts, or even quick animation roughs, we exchange on a regular basis to determine which enemies, mini-bosses, and bosses will populate that world.
I do my best to give them their own style and character through animation, which sometimes compensates for their vintage feel.įor each new world, I have a "draining" phase where I draw everything that comes to mind, on top of suggestions from the team. I spend time researching in order to iterate on the designs, and I consider their primary potential in terms of animation and gameplay. I usually start from images that come from popular culture, so in that sense, they did indeed have a classic feel.
#Have a nice death art update
The fast-food monsters in the update have a real retro feel to them. He was simple, with a clean style and a clear outline, and our idea was to get all the animation freedom we wanted with his shapeshifting cloak. Unlike Unruly Heroes, our main character was discovered at the very beginning and almost hasn't changed since then (only the skull evolved). Making a game with traditional animation has always been a dream of mine, but we know that using the same technique would make creating every detail very labor-intensive. Have a Nice Death was the exact opposite. We needed to give them a certain complexity through the richness of the outfits, materials, and accessories, but also to simply match the Chinese iconography.
The character design phase for Unruly Heroes was quite long, allowing us to experiment with different styles. I have a soft spot for cartoon-like or semi-realistic projects. What is your process for coming up with the art design for each game? Unruly Heroes and Have a Nice Death, in particular, look worlds apart. The character of this video game is great, I really like it and I wanted to have it in my collection of figures and I took advantage of the scythe to be a useful pen disguised, so apart from decorating it has a utility, the modeling consists of eleven STL files these files do require support and I leave them oriented in the way that will be easier to print them, already printed it is going to need a little glue but the good thing is that it was divided to be able to use colored material and no longer there to paint a lot, in the part of the feather I used a simple one the cap I glued it at the bottom of the hole of the base and the upper part of the scythe I put it to the feather with a little stuffing so that it was not loose, I did not want to make the hole very narrow so that there was possibility of using different types of feathers, I hope you like it.Looking at your past work, I notice all the games you've worked on seem to have unique styles, even from each other.
0 kommentar(er)
